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Photograph: Sarah WijzenbeekД«ut with no courses specialising in new music and no obvious path to follow, Fischer was demoralised until she came across the vocal course run by Cathrine Sadolin, a specialist in how the voice works across a huge range of different styles, and how to use it healthily, whether youвЂ™re belting out rock anthems or Bulgarian folk harmonies. вЂI try not to make any distinction between any of the music I do. ThatвЂ™s the whole reason he started his orchestra,вЂќ says Fischer. вЂњHe is also someone who doesnвЂ™t listen to the way it вЂshouldвЂ™ be.

Her father is iconoclastic conductor IvГЎn Fischer. ItвЂ™s our way or the highway, said the school, so they parted company. вЂњI was listening to a lot of other styles of music, and what I enjoyed most was the singers who dared to be very raw, like BjГ¶rk or Thom Yorke, incredible musicians and singers who are not afraid вЂ“ if the emotion asks them to вЂ“ to sound really rough and even ugly.вЂќД¬hafing at the conservatoireвЂ™s restrictions, she wanted to explore more creative approaches to performing classical music.

I meanwhile was developing an interest in all the other things my voice could do вЂ“ I felt that I had such a rich instrument and I was only being taught to sing with 15% of it,вЂќ she says. вЂњClassical singing is very beautiful but very specific. A career as Susannas, Adinas and Rodelindas seemed assured. Now 32, the Dutch/Hungarian Fischer spent her teenage years a member of the prestigious Netherlands Youth Choir, and then moved to study singing at Amsterdam Conservatoire. вЂњEverything you can doвЂќ casts a wide net for this versatile and genre-hopping singer. I like singers who dare to be very raw, like BjГ¶rk or Thom Yorke, who are not afraid to sound rough and even ugly. вЂњI thought, well thatвЂ™s a very nice compliment but that will never happen,вЂќ she says, вЂњand then suddenly here we are! He said: вЂI want everything you can do to be in it!вЂ™вЂќ This was at the Dutch National Opera вЂ“ very posh and formal and everyone was like, вЂWoah, whatвЂ™s going on? You donвЂ™t do that in the opera house!вЂ™ But Andriessen loved it.вЂќ The composer, whose 80th birthday is celebrated at this yearвЂ™s Proms, told the young singer he was going to write her a piece. IвЂ™ll scream it.вЂќ And so at the first rehearsal I did. вЂњI had a very high note marked to be sung вЂscreamingвЂ™. вЂњWe met when I had a tiny role in his 2016 opera Theatre of the World,вЂќ she tells me. The soprano comes to the Proms on Sunday for the UK premiere of the Dutch composer Louis AndriessenвЂ™s The Only One, a song cycle he wrote especially for her. H ow do you catch the ear of one of todayвЂ™s leading composers? With your exquisite vibrato? With a three-octave range? In Nora FischerвЂ™s case, you scream.